Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Elnava o L'assedio di Leida
Errico Petrella |
PART03198
full score |
1855 | |
Marco Visconti
Errico Petrella |
PART03203
full score |
||
Marco Visconti
Errico Petrella |
PART03204
full score |
10/1853 | |
Folletto di Grésy, Il
Errico Petrella |
PART03206
full score |
1860 | |
Rodolfo da Brienza
Achille Pistilli |
PART03276
full score |
||
Silvia
Nicola De Giosa |
PART01236
full score |
||
Silvia
Nicola De Giosa |
PART01237
full score |