The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
Iconographies | Description | ID | Date |
---|---|---|---|
Giorgio Ronconi
|
ICON010842 drawing |
||
Arminio travestito; Massimiliano; Amalia
Giuseppe Verdi, I Masnadieri |
ICON010929 costume design |
1847 | |
Coristi; Moser; Arminio
Giuseppe Verdi, I Masnadieri |
ICON010930 costume design |
1847 | |
Gran Ballo Sport
Romualdo Marenco, Sport |
ICON010932 other |
1897 | |
MINNIE: <.....Via di qua, vigliacco!.... Esci!>
Giacomo Puccini, La Fanciulla del West |
ICON011703 other |
1905 | |
L'officina d'Adoniramo
Charles François Gounod, La Regina di Saba |
ICON011926 set design |
||
Gerusalemme. Grande terrazza che domina tutta la città
Charles François Gounod, La Regina di Saba |
ICON011927 set design |
||
La Fonte de la Mer d'Aurain
Charles François Gounod, La Regina di Saba |
ICON011928 set design |
||
La Fonte de la Mer d'Aurain
Charles François Gounod, La Regina di Saba |
ICON011929 set design |
||
In un bosco di cedri e palme. Lavacri di Siloe
Charles François Gounod, La Regina di Saba |
ICON011930 set design |