Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Amoureux du journal, Les
Anonimo |
PART07766
full score |
||
Quand on s' promène, (on a bien l' temps)
Anonimo |
PART07769
full score |
||
Ne dis rien, (Tango chantè)
Anonimo |
PART07772
full score |
||
Faux Passeport
Anonimo |
PART07779
full score |
8/10/1948 | |
Avvertimento ai mariti, (col titolo Avertimento a i mariti gelosi)
Giuseppe Mosca |
PART02817
full score |
||
Matrimoni liberi, I
Giuseppe Mosca |
PART02820
full score |
||
Raggiri amorosi, I
Ferdinando Orlandi |
PART02960
full score |
||
Giardiniera brillante, La
Ferdinando Paini |
PART03006
full score |
||
Collerica, La
Giacomo Panizza |
PART03033
full score |
||
Matrimonio sotto la Repubblica, Un
Carlo Podestà |
PART03318
full score |
29/7/1875 |