Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
3 Studi d'interpretazione, per orch.d'archi (nuova versione)
Bruno Bettinelli |
PART04701
full score |
1/1990 | |
Dove non sono confini, per violoncello solo
Armando Gentilucci |
PART05402
full score |
2/1985 | |
Frammento
Armando Gentilucci |
PART05408
full score |
4/1989 | |
Haleine N.2, per doppio quartetto di fiati
Armando Gentilucci |
PART05410
full score |
1987 | |
Metafore del tempo, per pianoforte
Armando Gentilucci |
PART05418
|
3/1984 | |
Omaggio
Armando Gentilucci |
PART05428
full score |
1988 | |
15 ottobre 1989, melodia per 1 strumento ad arco o a fiato
Armando Gentilucci |
PART05429
full score |
15/10/1989 | |
Perduta-mente, per pianoforte
Armando Gentilucci |
PART05430
full score |
12/1977 | |
Ora comincia il silenzio, per coro misto a cappella
Alessandro Sbordoni |
PART06229
full score |
11/1/1990 |