Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Venitian Journal
Bruno Maderna |
PART02317
|
1972 | |
Viola , (o Viola d'amore)
Bruno Maderna |
PART02318
full score |
1971 | |
Quadrivium, per 4 esecutori di percussione e 4 gruppi d’orchestra
Bruno Maderna |
PART02319
full score |
2/1969 | |
Music of Gaity, from Fitzwilliam virginal book set for chamber orchester
Bruno Maderna |
PART02320
full score |
||
From A to Z, Musica per l'originale televisivo su testo di Rebecca Ross
Bruno Maderna |
PART02321
full score and parts |
20/12/1968 | |
Grande aulodia, per flauto, oboe con orchestra (versione def.)
Bruno Maderna |
PART02322
full score |
1970 | |
Lettura da lontano
Salvatore Sciarrino |
PART03836
full score |
||
Beatus vir
Antonio Vivaldi |
PART01283
arrangement/reduction |
||
Gorgheggio, per pf. e 8 strum.
Niccolò Castiglioni |
PART00822
full score |
31/12/1988 |