Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Missa XXVI, in honorem Sanctae Mariae Mazzarello
P. Andrés Rosa |
PART07527
full score |
4/1951 | |
In patris memoriam
Don Lorenzo Perosi |
PART06789
full score |
||
Passione di Cristo, La
Don Lorenzo Perosi |
PART03135
arrangement/reduction |
||
Quartetto n. 13 , per archi
Don Lorenzo Perosi |
PART03136
full score |
||
Quartetto n. 14 , per archi
Don Lorenzo Perosi |
PART03137
full score |
||
Quartetto n. 15, per archi
Don Lorenzo Perosi |
PART03138
full score |
||
Quartetto n. 16 , per archi
Don Lorenzo Perosi |
PART03139
full score |
||
Trasfigurazione di N.S.G.C., La
Don Lorenzo Perosi |
PART03141
arrangement/reduction |
||
Signor non mi riprender con furore , per s. e pf
Don Lorenzo Perosi |
PART03142
full score |
||
Elegia, per vc. e pf.
Don Lorenzo Perosi |
PART03143
full score |