Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Garcia Lorca-Frammenti, per s., fl, ob, cl, fg, perc., vl, vla, vc, cb
Maurizio Ferrari |
PART05194
full score |
||
Solo el Misterio, per coro misto. da Cinque frammenti all'Italia
Sylvano Bussotti |
PART05634
full score |
1967 | |
Paesaggio degli insetti, Il, 5 "solitudini" per fl, cl, voce femminile, vl, vla, vc
Gabriele Manca |
PART05790
full score |
8/1986 | |
Mariana Pineda, romance popular en tres estampas de F.G.Lorca
Louis Saguer |
PART06775
full score |
||
Linguaggio dei fiori, Il
Renzo Rossellini |
PART03604
full score |
18/9/1962 | |
Ciò che dicono i fiori, Piccola cantata per 4 voci femm.e orch.
Renzo Rossellini |
PART03621
full score |
||
Linguaggio dei fiori, Il, di Federico Garcia Lorca
Renzo Rossellini |
PART03637
|
3/6/1962 | |
Mariana Pineda, Romance popular en tres estampas
Louis Saguer |
PART03724
|
15/2/1966 | |
Mariana Pineda, Romance popular en tres estampas
Louis Saguer |
PART03725
arrangement/reduction |