Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Corsari, I
Alberto Mazzucato |
PART02700
full score |
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Amleto
Saverio Mercadante |
PART02706
full score |
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Gioventù d'Enrico V, La
Saverio Mercadante |
PART02710
full score |
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Ipermestra
Saverio Mercadante |
PART02711
full score |
||
Ismalia
Saverio Mercadante |
PART02712
full score |
||
Posto abbandonato, Il
Saverio Mercadante |
PART02713
full score |
||
Conte di Essex, Il
Saverio Mercadante |
PART02714
full score |
||
Emma d’Antiochia
Saverio Mercadante |
PART02717
|
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Solitaria delle Asturie, La
Saverio Mercadante |
PART02723
full score |
3/1840 | |
Medea
Saverio Mercadante |
PART02727
full score |