Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Pirata, Il , Atto II
Vincenzo Bellini |
PART07250
full score |
||
Rosa bianca e la rosa rossa, La
Giovanni Simone Mayr |
PART07269
full score |
||
Capuleti e Montecchi, I , Selezione
Vincenzo Bellini |
PART07271
full score |
||
Capuleti e i Montecchi, I, Atto I, Libro 2°
Vincenzo Bellini |
PART07280
full score |
||
Finto Stanislao, Il
Giuseppe Verdi |
PART00030
full score |
1840 | |
Sei Romanze
Giuseppe Verdi |
PART00051
full score |
22/11/1845 | |
Due sergenti, I
Alberto Mazzucato |
PART02697
full score |
||
Corsari, I
Alberto Mazzucato |
PART02700
full score |
||
Amleto
Saverio Mercadante |
PART02706
full score |
||
Gioventù d'Enrico V, La
Saverio Mercadante |
PART02710
full score |