Scores
Collection
About +
Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
On focus
About
1. Criteri Editoriali
by Anna Herklotz
2. I copialettere aziendali riservati di Giulio Ricordi
di Gabriele Dotto
Results: 64
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| Score | Description | ID | Date |
|---|---|---|---|
|
Medea in Corinto
Giovanni Simone Mayr |
PART02686
full score |
|
|
Due duchesse, Le
Giovanni Simone Mayr |
PART02690
full score |
|
|
Caterina di Guisa
Carlo Coccia |
PART01002
full score |
1832 |
|
Caterina di Guisa (rinnovata)
Carlo Coccia |
PART01003
full score |
1836 |
|
Figlia dell’arciere, La
Carlo Coccia |
PART01006
full score |
1833 |
|
Solitaria delle Asturie, La
Carlo Coccia |
PART01007
full score |
1838 |
|
Avventurieri, gli
Giacomo Cordella |
PART01034
full score |
|
|
Don Garzia
Antonio Costamagna |
PART01121
full score |
|
|
I, II, III fantaisie brillante, (su motivi de L’elisir d’amore (di Donizetti) op. 325 n. 1, 2, 3 (per pf. a 2 mani)
Carl Czerny |
PART01128
full score |
|
|
I, II, III fantaisie (su motivi dell’opera Parisina di Donizetti), op. 327 n. 1, 2, 3 per pf. Solo
Carl Czerny |
PART01134
full score |