Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Celestina, La, Opera in tre atti dalla tragicommedia omonima di Fernando de Rojas
Flavio Testi |
PART03982
full score |
||
Celestina, La, Opera in 3 atti
Flavio Testi |
PART03983
arrangement/reduction |
||
New York, oficina y denuncia
Flavio Testi |
PART03984
full score |
1964 | |
Dolore, Il, 3 madrigali
Flavio Testi |
PART03985
full score |
1963 | |
Stabat Mater
Flavio Testi |
PART03986
arrangement/reduction |
1957 | |
New York, oficina y denuncia, per coro e orch.
Flavio Testi |
PART03987
arrangement/reduction |
||
Chat, Le, per violino solo op. 38 (azione mimata per una ballerina)
Flavio Testi |
PART06397
full score |
1981 | |
Marcia, per 4 tromboni
Flavio Testi |
PART06398
full score |
1981 | |
Musica da concerto n.7, per chitarra e quattordici archi op. 40
Flavio Testi |
PART06399
full score |
1982 | |
Opus 35, per orchestra
Flavio Testi |
PART06400
full score |
1978 |