Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Allan Cameron
Giovanni Pacini |
PART02966
full score |
1848 | |
Medea
Giovanni Pacini |
PART02967
full score |
1843 | |
Amazilia
Antonio Palminteri |
PART03023
full score |
||
Arrigo II
Antonio Palminteri |
PART03025
full score |
||
Convegno, Il , Divertimento per due cl. (con acc. di pf.)
Amilcare Ponchielli |
PART03340
full score and parts |
8/8/1857 | |
Gabriella di Bell'Isle
Paolo Maggi |
PART02324
full score |
||
Oratore da caffé, L’
Paolo Maggi |
PART02325
full score |
1883 | |
Jacopo di Valenza
Ruggero Manna |
PART02400
full score |
||
Contrabbandiere, Il
Natale Perelli |
PART03116
full score |
||
Giuditta
Achille Peri |
PART03124
full score |