Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Jacopo di Valenza
Ruggero Manna |
PART02400
full score |
||
Contrabbandiere, Il
Natale Perelli |
PART03116
full score |
||
Marco Visconti
Errico Petrella |
PART03203
full score |
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Promessi sposi, I
Errico Petrella |
PART03205
full score |
19/9/1869 | |
Uscocco, L’
Francesco Petrocini |
PART03212
full score |
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Goretta
Luigi Sangermano |
PART03756
full score |
1868 | |
Canzone dei ricordi, La, Poemetto lirico di Pagliara per canto e piano
Giuseppe Martucci |
PART02549
arrangement/reduction |
26/6/1887 | |
È morta
Francesco Cortesi |
PART01044
full score |
8/11/1882 | |
Papà Martin
Antonio Cagnoni |
PART00685
full score |
||
I Quartetto in Do mag.re, per 2 violini, viola e violoncello
Antonio Bazzini |
PART00219
parts |
28/6/1883 |