Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Grave, per cl,c.basso,v.cello
Matteo D'Amico |
PART05034
full score |
||
Sonntagsgruss, per violino e v.cello
Fabio Nieder , Johann Sebastian Bach |
PART05955
full score |
10/4/1988 | |
Ethude-rhapsodie, per fl.,cl., pf.
Francesco Pennisi |
PART06021
full score |
10/5/1997 | |
Myricae
Mauro Cardi |
PART04845
full score |
5/2/1986 | |
Scintille
Gerard Brophy |
PART04641
full score |
3/8/1984 | |
Flesh
Gerard Brophy |
PART04775
full score |
20/11/1987 | |
Plot in the fiction, per oboe-corno inglese e gruppo da camera
Luca Francesconi |
PART05316
full score |
5/5/1986 | |
Senza titolo
Franco Donatoni |
PART07244
full score |
13/1/1984 | |
Senza titolo
Franco Donatoni |
PART07246
full score |
||
Enantios: se tanto amate di sentire, per 7 strumenti
Giuseppe Soccio |
PART06337
full score |
1982 |