Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Belfiore e Bellaspina, Fiaba mimica per bambini.
Mario Vitali |
PART04410
arrangement/reduction |
||
24 Pezzi caratteristici, op. 40
Alessandro Longo |
PART02257
full score |
||
VI Suite romantica, op. 27
Alessandro Longo |
PART02277
full score |
||
“Un pensiero”, Romanza
Lamberto Pavanelli |
PART03061
full score |
26/6/1912 | |
Serenata española , para canto y piano
Felipe Pedrell |
PART03076
full score |
||
Selvaggia
Francesco Schira |
PART03778
full score |
||
3° Capriccio per pf., op. 12
Giuseppe Martucci |
PART02563
full score |
||
Piccolo trio
Angelo Balladori |
PART00169
full score |
||
Fior di siepe
Mario Pasquale Costa |
PART01068
full score |
||
Pantéismo, Melodia
Mario Pasquale Costa |
PART01099
full score |
4/11/1880 |