Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Gavotta
Giovanni Sgambati |
PART03893
full score |
11/2/1881 | |
Isora di Provenza
Luigi Mancinelli |
PART02375
full score |
||
Aida , Trascr. per vc. con acc. di pf.
Luigi Mancinelli |
PART02376
full score |
||
Riflessi e paesaggi di G. Rinaldi, Suite d’orchestra
Luigi Mancinelli |
PART02377
full score |
||
Tempo di mazurka
Luigi Mancinelli |
PART02378
full score |
5/1880 | |
Al chiaro di luna..., Album vocale (con acc. di pf.)
Luigi Mancinelli |
PART02379
full score |
||
Fantasia , sopra l’opera Don Carlo
Luigi Mancinelli |
PART02381
full score |
||
Song on a faded violet, (la violetta appassita)
Luigi Mancinelli |
PART02382
full score |
17/7/1886 | |
Tizianello, Bozzetto per voci e orch.
Luigi Mancinelli |
PART02383
full score |
22/11/1880 | |
Un’estate a Perugia, Album vocale per c. e pf.
Luigi Mancinelli |
PART02384
full score |