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Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.

Description	ID	Date
Invenzione a due Matteo D'Amico	PART05036 full score
Jeux des masques, per soprano, clav, orch Matteo D'Amico	PART05037 full score	1985
Jubilate Deo, per s. e quartetto d'archi Matteo D'Amico	PART05038 full score
Jubilate Deo, per soprano e orch.d'archi Matteo D'Amico	PART05039 full score	1997
Mascherata veneziana, Belletto in due atti su temi di Baldassarre Galuppi Matteo D'Amico	PART05040 full score
Mascherata veneziana, Suite dal balletto su temi di B. Galuppi Matteo D'Amico	PART05041 full score	1998
Mascherata veneziana Matteo D'Amico	PART05042 arrangement/reduction
Memoires '93 Matteo D'Amico	PART05043 full score
Mironton Mirontaine, fantasia per pf a 4 mani su temi popolari francesi Matteo D'Amico	PART05044
Monologo di un fauno, per voce recitante e panoforte Matteo D'Amico	PART05045