Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Rime d'amore, per ms, coro femm, orch.
Matteo D'Amico |
PART05057
|
1998 | |
Rime notturne
Matteo D'Amico |
PART05058
|
||
Sanctus, per soprano, mezzosoprano, tenore, basso e orchestra. Testo di Vincenzo Consolo
Matteo D'Amico |
PART05059
full score |
||
Sanctus, per s., ms, t., b., orch
Matteo D'Amico |
PART05060
arrangement/reduction |
||
Sestetto
Matteo D'Amico |
PART05061
full score |
||
Sonnets et rondels, 2ªvers."lunga", per baritono e orchestra
Matteo D'Amico |
PART05062
|
||
Sonnets et rondels, Versione "Palermo" | Nuova versione riveduta
Matteo D'Amico |
PART05063
|
1993 | |
Spiriti dell'aria, Gli, ovvero Il sogno di Pulcinella
Matteo D'Amico |
PART05064
full score |
||
Spiriti dell'aria, Gli
Matteo D'Amico |
PART05065
arrangement/reduction |
||
Stabat Mater, Cantata sacra e profana per soprano, mezzosoprano, voce recitante archi e percussione
Matteo D'Amico |
PART05066
full score |
1999 |