Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Perché..., Strofe melanconiche
Niccolò van Westerhout |
PART04305
full score |
||
Petit rondeau
Niccolò van Westerhout |
PART04306
full score |
5/1897 | |
Preludio , dal tema “Quando corpus” de lo “Stabat” di G.B. Pergolesi
Niccolò van Westerhout |
PART04307
full score |
3/1890 | |
Rêverie
Niccolò van Westerhout |
PART04308
full score |
1890 | |
Andante campestre, (Ricordo)
Niccolò van Westerhout |
PART04309
full score |
||
Rispetto
Niccolò van Westerhout |
PART04310
full score |
7/1890 | |
II Romanza
Niccolò van Westerhout |
PART04311
full score |
5/1897 | |
Serenata
Niccolò van Westerhout |
PART04312
full score |
10/1898 | |
Badinerie
Niccolò van Westerhout |
PART04313
full score |
6/1889 | |
Sogno perduto!, Melodia
Niccolò van Westerhout |
PART04314
full score |