Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Suite brasiliana, per orchestra
Ottorino Respighi |
PART03484
full score |
1928 | |
Toccata per pianoforte e orchestra
Ottorino Respighi |
PART03485
full score |
8/1928 | |
Tre corali di Bach, (dai “Choravorspiele” per organo) Interpretazione orchestrale
Ottorino Respighi |
PART03486
full score |
10/1930 | |
Trittico botticelliano, per piccola orchestra
Ottorino Respighi |
PART03487
full score |
1927 | |
Antiche arie e danze per liuto - III Suite, Trascrizione libera per orchestra d'archi
Ottorino Respighi |
PART03488
full score |
11/1931 | |
Ballata delle gnomidi, per orchestra
Ottorino Respighi |
PART03489
full score |
3/11/1919 | |
Belfagor , Ouverture per orchestra
Ottorino Respighi |
PART03490
full score |
3/1924 | |
Belkis, regina di Saba , Azione mimo-coreografica
Ottorino Respighi |
PART03491
full score |
20/10/1931 | |
Deità silvane , Cinque liriche di Antonio Rubino per soprano e orchestra da camera
Ottorino Respighi |
PART03492
full score |
11/1925 | |
Feste romane , Poema sinfonico
Ottorino Respighi |
PART03493
full score |
10/1928 |