Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Pentola magica, La
Ottorino Respighi |
PART03504
arrangement/reduction |
||
Lucrezia
Ottorino Respighi |
PART03505
arrangement/reduction |
1936 | |
Tramonto, Il, Poemetto lirico per ms. e quart. ad arco
Ottorino Respighi |
PART03506
full score |
8/1914 | |
Belkis, regina di Saba
Ottorino Respighi |
PART03507
arrangement/reduction |
||
Quattro liriche, su parole di poeti armeni
Ottorino Respighi |
PART03508
full score |
1921 | |
3 Vocalizzi
Ottorino Respighi |
PART03509
full score |
4/1930 | |
Didone, Cantata per s. e orch. Realizzazione di Ottorino Respighi. Rid. per c. e pf. di Luigi Ricci
Benedetto Marcello |
PART03510
arrangement/reduction |
25/9/1936 | |
Concerto a cinque
Ottorino Respighi |
PART03511
full score |
1933 | |
Feste romane
Ottorino Respighi |
PART03512
|
||
Notturno , per orchestra
Ottorino Respighi |
PART03513
full score |
1/1908 |