Scores

Collection

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Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.

On focus

Results: 27

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Score Description ID Date
Aperite mihi portas , Motettum ad quatuor voces inaequales
Paul Hartmann
PART02146
full score
Ave Maria , per coro (s., cti, t., b.), quart. d’archi, due cr. in fa ed org.
Paul Hartmann
PART02148
full score
Ave Maria , per ms. o bar. con acc. d’org. o harmonium
Paul Hartmann
PART02150
full score
Ave Maria..., Rid. per c. e pf. (dal M° C. Boehm di Amberg)
Paul Hartmann
PART02149
arrangement/reduction
Cena del Signore, La
Paul Hartmann
PART02129
full score
1/12/1903
Christus factus est , Motetto, coro di donne a cappella a 3 voci
Paul Hartmann
PART02152
full score
Coro trionfale
Paul Hartmann
PART02151
full score
Deh! Mi apri o sorella, per s. (o t.) con acc. di pf.
Paul Hartmann
PART02153
full score
Geistliches Lied o Canto alla Madonna , per t. solo con org.o harmonium
Paul Hartmann
PART02154
full score
9/1/1905