Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Nottetempo
Sylvano Bussotti |
PART05172
|
||
Breve, per onde martenot solo
Sylvano Bussotti |
PART00592
full score |
1958 | |
Cristallo di Rocca
Sylvano Bussotti |
PART00595
full score |
5/3/1983 | |
Nottetempo
Sylvano Bussotti |
PART00603
|
15/3/1976 | |
Donna, La, Da "Le rarità, Potente"
Sylvano Bussotti |
PART00607
|
||
Oggetto amato, Balletto
Sylvano Bussotti |
PART00609
full score |
11/1975 | |
Pianino, per pf. (con scolaro) e voce di ragazzo.
Sylvano Bussotti |
PART00612
full score |
9/5/1987 | |
Deborah Parker, Aria per violoncello.
Sylvano Bussotti |
PART00616
full score |
9/1/1987 | |
Poemetto, per orchestra da Il Catalogo è questo IV
Sylvano Bussotti |
PART00619
full score |
12/6/1987 | |
In memoriam, (Cathy Berberian) per voce, flauto, viola e pf.
Sylvano Bussotti |
PART00623
full score |
21/6/1984 |