Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Oberto, conte di S. Bonifacio
Giuseppe Verdi |
PART00038
full score |
1839 | |
Romanze
Giuseppe Verdi |
PART00052
full score |
1839 | |
Nabucco, Va pensiero
Giuseppe Verdi |
PART07125
|
||
Salve Maria, de l’opéra de Verdi Jérusalem Transcription pour piano.
Franz Liszt |
PART02237
full score |
||
Espiazione, L’
Achille Peri |
PART03126
full score |
||
Fanciulla delle Asturie, La
Benedetto Secchi |
PART03890
full score |
||
Fantasia , su motivi dell’opera Oberto Conte di S. Bonifacio di Verdi op. 620 per pf. solo e a 4 mani
Carl Czerny |
PART01144
full score |
||
Souvenir d’Attila de Verdi, fantaisie brillante pour piano et violon concertants
Antonio Bazzini |
PART00231
full score |
||
II Fantaisie pour piano , sur des motifs de Nabucodonosor
Theodor Döhler |
PART01552
full score |