Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
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Quis dabit capiti meo acquam, mottetto per quattro sassofoni
Matteo D'Amico |
PART05053
full score and parts |
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Realtà, La, per voce recit.,gruppo strum.
Matteo D'Amico |
PART05054
full score and parts |
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Come il suono dell'ore il ricordo, per orchestra d'archi o 11 archi soli
Marco Di Bari |
PART05099
full score and parts |
9/1986 | |
Corale, per quartetto d'archi
Ludovico Einaudi |
PART05152
full score and parts |
1/1989 | |
Quattro passi
Ludovico Einaudi |
PART05166
full score and parts |
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Portrait, per quartetto d'archi
Lorenzo Ferrero |
PART05265
full score and parts |
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Capriccio, per vl. con acc. di pf.
Mario Vitetta |
PART04412
full score and parts |
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Uragano, Adatta per le scene tumultuose, violente, drammatiche; Fuga di gente; scene di battaglia, ecc
Franco Vittadini |
PART04430
full score and parts |
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Marcia eroica, (per scene grandiose, trionfali, eroiche)
Franco Vittadini |
PART04431
full score and parts |
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Angoscioso, (scene musicali cinematografiche)
Franco Vittadini |
PART04432
full score and parts |