The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
Iconographies | Description | ID | Date |
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A Blackmoor - Il casolare di Jack Durbeyfield
Frédéric Alfred D'Erlanger, Tess |
ICON005130 set design |
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Alec d'Urberville - Nel giardino della villa d'Urberville, esterno
Frédéric Alfred D'Erlanger, Tess |
ICON005131 set design |
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Nel Wessex - La fattoria di Talbothays
Frédéric Alfred D'Erlanger, Tess |
ICON005132 set design |
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Esterno
Frédéric Alfred D'Erlanger, Tess |
ICON005133 set design |
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A Blackmoor, il casolare di Jack Durbeyfield
Frédéric Alfred D'Erlanger, Tess |
ICON011328 stage plan |
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Alec d'Urberville, nel giardino della villa d'Urberville, esterno
Frédéric Alfred D'Erlanger, Tess |
ICON011329 stage plan |
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Interno della Fattoria
Frédéric Alfred D'Erlanger, Tess |
ICON011330 stage plan |
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Variazione del 4° atto, scena divisa
Frédéric Alfred D'Erlanger, Tess |
ICON011331 stage plan |