The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
Iconographies | Description | ID | Date |
---|---|---|---|
Gabinetto
|
ICON011848 set design |
1821 | |
Osteria
|
ICON011849 set design |
1820 | |
Sala Araba
Gioachino Antonio Rossini, L'Italiana in Algeri |
ICON011850 set design |
||
Catacombe dei Bassi Tempi
|
ICON011851 set design |
1820 | |
Palazzo Cinese
|
ICON011852 set design |
1820 | |
Campo Scellerato
, La Vestale |
ICON011853 set design |
||
Miniere in Valachia
, Le Miniere dei Valacchi |
ICON011854 set design |
||
Sala
Pietro Romani, Buondelmonte |
ICON011855 set design |
||
Veduta Indiana
Wenzel Robert Gallenberg, I Riti Indiani |
ICON011856 set design |
||
Camera Gotica
Carlo Coccia, Matilde |
ICON011857 set design |
1821 |