Iconography
Collection
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The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
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Results: 392
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| Iconographies | Description | ID | Date |
|---|---|---|---|
|
Cortile d'un chiostro
Giacomo Meyerbeer, Roberto il Diavolo |
ICON012261 set design |
1870 |
|
Cortile d'un chiostro
Giacomo Meyerbeer, Roberto il Diavolo |
ICON012262 set design |
1870 |
|
Interno della Cattedrale di Palermo
Giacomo Meyerbeer, Roberto il Diavolo |
ICON012263 set design |
|
|
La Euterpe. Studio di Rolla
Cipriano Pontoglio, Rolla |
ICON012264 set design |
1875 |
|
Giulietta al balcone
Filippo Marchetti, Romeo e Giulietta |
ICON012265 set design |
|
|
Cimitero cappella dei Capuleti, Romeo al capezzale di Giulietta
Filippo Marchetti, Romeo e Giulietta |
ICON012266 set design |
|
|
Una sala nel palazzo imperiale di Caterina
Costantino Dall'Argine, La Semiramide del Nord |
ICON012267 set design |
1869 |
|
Complotto. Rovine d'un tempio sulle rive del Teuta presso il mare
Romualdo Marenco, Sieba |
ICON012268 set design |
1879 |
|
L'Amore e il tradimento. Il campo
Romualdo Marenco, Sieba |
ICON012269 set design |
1879 |
|
La Desolazione - la Speranza. Grotta che limita l'Askur
Romualdo Marenco, Sieba |
ICON012270 set design |
1879 |
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