The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
Iconographies | Description | ID | Date |
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2 Amoureuse
Isidore De Lara, Les Trois Masques |
ICON003007 costume design |
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Les Amoureuses
Isidore De Lara, Les Trois Masques |
ICON003008 costume design |
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Les Amoureuses
Isidore De Lara, Les Trois Masques |
ICON003009 costume design |
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Les Amoureuses
Isidore De Lara, Les Trois Masques |
ICON003010 costume design |
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Giocondo 3°; Fiammetta; il Re
Carlo Jachino, Giocondo e il suo Re |
ICON003206 costume design |
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Giocondo 2°, il Re, il Nano
Carlo Jachino, Giocondo e il suo Re |
ICON003207 costume design |
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Greco, la Ninfa, il Satiro
Carlo Jachino, Giocondo e il suo Re |
ICON003208 costume design |
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Le Maestranze
Italo Montemezzi, La Nave |
ICON003241 costume design |
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Le Maestranze
Italo Montemezzi, La Nave |
ICON003242 costume design |
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Le Maestranze (giovinetto)
Italo Montemezzi, La Nave |
ICON003243 costume design |