The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
Iconographies | Description | ID | Date |
---|---|---|---|
Méphistophèlés. Mise en Scène
Arrigo Boito, Mefistofele |
ICON013642 staging notes |
||
No, No, Nanette. Mise en Scène
Vincent Youmans, no No |
ICON013645 staging notes |
||
Hans, le Joueur de Flûte. Mise en Scène et Chorégraphie
Louis-Gaston Ganne, il Suonatore di Flauto Hans |
ICON013646 staging notes |
||
Orsèolo. Messa in scena
Ildebrando Pizzetti, Orseolo |
ICON013652 staging notes |
||
La Regina di Saba. Messa in Scena
Karl Goldmark, La Regina di Saba |
ICON013653 staging notes |
1879 | |
Tannhäuser. Direttore di scena
Richard Wagner , Tannhäuser |
ICON013664 staging notes |
||
Mise en Scène de Les Vêpres Siciliennes
Giuseppe Verdi, I Vespri Siciliani |
ICON013665 staging notes |
||
Disposizione Scenica per l'Opera Don Carlo. Compilata e regolata secondo la Mise en Scène del Teatro Imperiale dell' Opéra di Parigi, terza edizione
Giuseppe Verdi, Don Carlos |
ICON013669 staging notes |