The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
Iconographies | Description | ID | Date |
---|---|---|---|
Due ritratti di Bardolfo e Pistola
Giuseppe Verdi, Falstaff |
ICON000055 drawing |
1893 | |
Sopra: ritratto di Adelina Stehle (Nannetta) ed Edoardo Garbin (Fenton). Sotto: ritratto del Dr. Cajus
Giuseppe Verdi, Falstaff |
ICON000056 drawing |
1893 | |
Sopra: ritratto di Adelina Stehle (Nannetta) con Giovanni Paroli (Cajus) seduti. Sotto: ritratto di Falstaff con mantello e corna
Giuseppe Verdi, Falstaff |
ICON000057 drawing |
1893 | |
Da Falstaff
Giuseppe Verdi, Falstaff |
ICON000058 drawing |
1893 | |
Spianata nel bosco. Inverno
Giacomo Puccini, Le Villi |
ICON000076 set design |
||
La Chiesa di S. Andrea della Valle
Giacomo Puccini, Tosca |
ICON000081 set design |
1899 | |
La camera di Scarpia al piano superiore di Palazzo Farnese
Giacomo Puccini, Tosca |
ICON000082 set design |
1899 | |
La piattaforma di Castel Sant'Angelo
Giacomo Puccini, Tosca |
ICON000083 set design |
1899 | |
Al quartiere latino
Giacomo Puccini, La Bohème |
ICON000086 set design |
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Tosca
Giacomo Puccini, Tosca |
ICON000313 costume design |