Iconography
Collection
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The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
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Results: 392
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| Iconographies | Description | ID | Date |
|---|---|---|---|
|
Una sala del palazzo di città a Brusselle
Gaetano Donizetti, Il Duca d'Alba |
ICON012121 set design |
1882 |
|
L'oratorio di Amelia
Gaetano Donizetti, Il Duca d'Alba |
ICON012122 set design |
1882 |
|
Il porto d'Anversa sulle rive della Schelda
Gaetano Donizetti, Il Duca d'Alba |
ICON012123 set design |
1882 |
|
Prigione e recinto di castello nelle vicinanze di un sobborgo
Peter Ludwig Hertel, I Due soci |
ICON012124 set design |
1863 |
|
Cortile dell'albergo Dumont
Peter Ludwig Hertel, I Due soci |
ICON012125 set design |
1863 |
|
Una cucina
Peter Ludwig Hertel, I Due soci |
ICON012126 set design |
1863 |
|
In casa di Aleazano
Fromental Halévy, L'Ebrea |
ICON012127 set design |
1865 |
|
Una gran sala che precede la Camera del Consiglio
Fromental Halévy, L'Ebrea |
ICON012128 set design |
1865 |
|
Una camera d'albergo
Jules Beer, Elisabetta d'Ungheria |
ICON012129 set design |
1870 |
|
Il pegno d'amore. Piazza pubblica al porto di mare
Peter Ludwig Hertel, Ellinor ossia vedi Napoli e poi mori |
ICON012130 set design |
1878 |
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