The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
Iconographies | Description | ID | Date |
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Gran Sala illuminata a festa
Errico Petrella, Marco Visconti |
ICON007789 set design |
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Gran sala illuminata a festa
Errico Petrella, Marco Visconti |
ICON007790 set design |
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Gran sala illuminata a festa
Errico Petrella, Marco Visconti |
ICON007791 set design |
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Giovanni Dusi, abito del prologo e del 1° atto; Secretario del Consiglio, 2ª parte
Errico Petrella, L'Assedio di Leida |
ICON008896 costume design |
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Tavola 2ª: Armando Boasot
Errico Petrella, L'Assedio di Leida |
ICON008897 costume design |
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Tavola 3ª: Valdes
Errico Petrella, L'Assedio di Leida |
ICON008898 costume design |
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Tavola 4ª: Diego di Guibo; Inigo Capitano
Errico Petrella, L'Assedio di Leida |
ICON008899 costume design |
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Tavola 5ª: Ramiro, Ufficiale Spagnuolo ; Soldati Spagnuoli
Errico Petrella, L'Assedio di Leida |
ICON008900 costume design |
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Tavola 6ª: Elnava
Errico Petrella, L'Assedio di Leida |
ICON008901 costume design |
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Tavola 7ª: Anna; Amiche di Elnava; Vivandiere
Errico Petrella, L'Assedio di Leida |
ICON008902 costume design |