The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
Iconographies | Description | ID | Date |
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Tavola 4ª Attrezzi
Alberto Franchetti , Il Signor di Pourceaugnac |
ICON002247 prop design |
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Tavola 7ª Parrucche
Alberto Franchetti , Il Signor di Pourceaugnac |
ICON002248 prop design |
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Tavola 8ª Parrucche
Alberto Franchetti , Il Signor di Pourceaugnac |
ICON002249 prop design |
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Tavola 10ª Piumista
Alberto Franchetti , Il Signor di Pourceaugnac |
ICON002250 prop design |
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Scettro di preghiera per i Sacerdoti
Guido Bianchini, Il Principe e Nuredha |
ICON002855 prop design |
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Attrezzeria
Guido Bianchini, Il Principe e Nuredha |
ICON002856 prop design |
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Campione del colore rosso
Guido Bianchini, Il Principe e Nuredha |
ICON002859 prop design |
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Campioni per stoffe tipo "mosaico"
Ottorino Respighi, La Fiamma |
ICON002930 prop design |
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Diversi campioni per costumi a "tinte unite" trattate come mosaico
Ottorino Respighi, La Fiamma |
ICON002931 prop design |
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Attrezzeria
Ottorino Respighi, La Fiamma |
ICON002932 prop design |