The archive’s iconographic collection is from the 19th and 20th centuries. The archive has about 600 original stage designs, mostly from the premieres of the respective works, starting with the designs for Verdi’s Attila by Giuseppe Bertoja up to Nicola Benois’s designs for Respighi’s La Fiamma from the 1930s. For some operas there are different variations, such as for Puccini’s Tosca and La bohème, depending on the size of the intended theater. Secondly, the picture collection consists of a collection of thousands of individual costume designs, most of them created by famous designers.
Iconographies | Description | ID | Date |
---|---|---|---|
Promontorio che domina il mare. Nelusko rimane solo in ginocchio presso Selika sostenendola, scena ultima
Giacomo Meyerbeer, L'Africana |
ICON003948 set design |
||
Sala nel castello della Marescialla d'Effiat madre di Cinq-Mars, che dà sul parco
Charles François Gounod, Cinq-Mars |
ICON006700 set design |
||
Festa in casa di Marion
Charles François Gounod, Cinq-Mars |
ICON006701 set design |
||
La foresta di San Germano
Charles François Gounod, Cinq-Mars |
ICON006702 set design |
||
Album: Tav. 03. Le nozze di Romeo e Giulietta
Charles François Gounod, Roméo et Juliette |
ICON009609 set design |
||
Album "Modèle des décors"
Charles François Gounod, Roméo et Juliette |
ICON011489 set design |
||
Album "Modèle des décors"
Charles François Gounod, Roméo et Juliette |
ICON011491 set design |
||
Gerusalemme. Grande terrazza che domina tutta la città
Charles François Gounod, La Regina di Saba |
ICON011927 set design |
||
In un bosco di cedri e palme. Lavacri di Siloe
Charles François Gounod, La Regina di Saba |
ICON011930 set design |
||
Mello. Una sala nel palazzo d'estate di Solimano
Charles François Gounod, La Regina di Saba |
ICON011931 set design |