Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Adagio , (dal Conc. in do magg.) per orch. d’archi e org.(ad lib.) di
G.Tartini.Trascr.elab.di M.Abbado.Part.
Giuseppe Tartini |
PART03950
full score |
||
Adagio , per vl. e pf. (dal Conc. in do magg.) di G.Tartini.Trascr.M.
Abbado
Giuseppe Tartini |
PART03951
full score |
||
Concerto , in re magg. per vl., orch. d’archi e pf. di G. Tartini.
Elaboraz. di M.Abbado
Giuseppe Tartini |
PART03952
full score |
||
Concerto grosso , in la min. per orch. d’archi e pf. di G. Tartini
elabor.di M.Abbado. Part.
Giuseppe Tartini |
PART03953
full score |
||
“Sonata del diavolo” , o Trillo del diavolo
Giuseppe Tartini |
PART03954
full score |
21/5/1939 |