Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Spiriti dell'aria, Gli
Matteo D'Amico |
PART05065
arrangement/reduction |
||
Scene di vento
Salvatore Sciarrino |
PART05077
full score |
||
Feria III
Franco Donatoni |
PART05121
arrangement/reduction |
1996 | |
Atlántida
Manuel de Falla |
PART05180
full score |
||
Lucrezia Borgia N.9, Originale del Revisore della 2ª e 3ª versione del Finale
Gaetano Donizetti |
PART06009
full score |
||
Pimpinella, op.38 n.6, per voce e pf.
Peter Tschaikowski |
PART04946
full score |
1989 | |
Nocturnus visus, versione per sax
Azio Corghi |
PART04986
full score |
2002 | |
Medea-Suite, (6 canzoni da Medea) per voce leggera, soprano e orchestra
Adriano Guarnieri |
PART05637
|
1995 | |
Aus!Aus!, orchestr. di Neidhorfer
Gustav Mahler |
PART05760
|
||
Aus!Aus!
Gustav Mahler |
PART05761
|