Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Anton
Cesare Galeotti |
PART01909
full score |
16/11/1898 | |
Rêverie, op. 46
Cesare Galeotti |
PART01910
full score |
11/1/1891 | |
Courante , op. 61
Cesare Galeotti |
PART01911
full score |
16/8/1891 | |
Intermezzo , op. 62
Cesare Galeotti |
PART01912
full score |
15/3/1891 | |
Menuet dans le style ancien, op. 59
Cesare Galeotti |
PART01913
full score |
12/3/1891 | |
Scherzo fantastique
Cesare Galeotti |
PART01914
full score |
18/6/1891 | |
Sérénade , op. 62
Cesare Galeotti |
PART01915
full score |
||
Anton
Cesare Galeotti |
PART01916
arrangement/reduction |
19/6/1899 |