Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Serenata, La
Niccolò van Westerhout |
PART04331
full score |
1883 | |
Aprile novo!, Melodia
Niccolò van Westerhout |
PART04334
full score |
1885 | |
Sola!..., Melodia
Niccolò van Westerhout |
PART04335
full score |
20/10/1885 | |
Ancora!..., Melodia
Francesco Paolo Tosti |
PART04044
full score |
9/1897 | |
Aprile, Melodia
Francesco Paolo Tosti |
PART04046
full score |
10/1882 | |
Fede, Melodia
Francesco Paolo Tosti |
PART04080
full score |
9/1901 | |
Non chiedermi se t’amo!... , Melodia
Francesco Paolo Tosti |
PART04136
full score |
1903 | |
O dolce sera! , Piccolo notturno
Francesco Paolo Tosti |
PART04141
full score |
10/1885 | |
Non m’amate più!
Francesco Paolo Tosti |
PART04158
full score |
9/1902 | |
Penso!, Melodia popolare (Ricordo di Napoli)
Francesco Paolo Tosti |
PART04159
full score |
1/11/1889 |