Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Gioconda, La
Amilcare Ponchielli |
PART03319
full score |
28/2/1876 | |
Lituani, I
Amilcare Ponchielli |
PART03321
full score |
||
Parlatore eterno, Il, scherzo comico
Amilcare Ponchielli |
PART03325
full score |
||
Omaggio a Donizetti
Amilcare Ponchielli |
PART03327
full score |
1875 | |
Figliuol prodigo, Il
Amilcare Ponchielli |
PART03329
full score |
11/11/1879 | |
Contessa d’Altenberg, La
Giovanni Gaetano Rossi |
PART03640
full score |
1875 | |
Esmeralda
Fabio Campana |
PART00710
full score |
2/1878 | |
Rivista verdiana in tre parti secondo le tre maniere di G.Verdi, Composizione per banda
B. Casetti |
PART00776
full score |
5/4/1887 | |
Sinfonia , rid. per 2 pf. a 4 mani ciascuno da Tito Ricordi
Gaetano Donizetti |
PART01717
|
||
Fantaisie Hongroise Morceau de Concert
Giulio Ricordi |
PART00491
full score |
25/2/1882 |