Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Cantata, Da: Didone di Benedetto Marcello, col b. continuo realizz. per orch. d’archi (di Alceo Toni)
Benedetto Marcello |
PART02478
full score |
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Toccata, Trascrizione libera per pf. con accomp. d'orchestra d'archi e organo
Michel Angelo Rossi |
PART03652
full score |
||
II Concerto grosso op. VI, [12 Concerti grossi op.VI] - elabor. Alceo Toni
Arcangelo Corelli |
PART01035
arrangement/reduction |
||
II Concerto grosso op. VI, [12 Concerti grossi op.VI] - elabor. Alceo Toni
Arcangelo Corelli |
PART01036
full score |
||
VIII Concerto grosso op. VI , Fatto per la notte di Natale
Arcangelo Corelli |
PART01037
arrangement/reduction |
||
Giudizio di Salomone, Il, Trascr. ed istrum. del b. continuo di A. Toni
Giacomo Carissimi |
PART00733
full score |
||
Giudizio di Salomone, Il, Trascr. ed istrum. del b. continuo dell’autore di A.Toni.
Giacomo Carissimi |
PART00734
arrangement/reduction |