Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
3 piccoli pezzi
Paolo Perezzani |
PART06065
full score |
||
Pim sta per parlare, per quartetto di saxofoni
Paolo Perezzani |
PART06066
full score |
2/1993 | |
Primavera dell'anima, per orchestra
Paolo Perezzani |
PART06067
full score |
12/1990 | |
Quartetto n.1, con live electroncs
Paolo Perezzani |
PART06068
full score |
5/1996 | |
Radura con flauto (e roveto), per flauto e gruppo strumentale
Paolo Perezzani |
PART06069
full score |
1/1991 | |
Sonata, per due clavicembali
Paolo Perezzani |
PART06070
full score |
9/1993 | |
Thauma, per 8 voci
Paolo Perezzani |
PART06071
full score |
6/1999 | |
Tlon, per 3 chitarre
Paolo Perezzani |
PART06072
full score |
24/1/1985 | |
Tre scene dal silenzio, per ensemble
Paolo Perezzani |
PART06073
full score |
11/1996 | |
Tre studi, per violoncello solo
Paolo Perezzani |
PART06074
full score |
1997 |