Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Introduzione
Giovanni Battista Sammartini |
PART03747
full score |
9/1945 | |
Musica per sette
Bruno Bettinelli |
PART00274
full score |
31/12/1975 | |
Poesie di Tiziana, per coro femminile
Bruno Bettinelli |
PART00275
full score |
6/1977 | |
Sinfonia n. 5
Bruno Bettinelli |
PART00276
full score |
12/5/1975 | |
Sinfonia n. 6
Bruno Bettinelli |
PART00277
full score |
25/10/1976 | |
Studio da concerto, per fagotto solo
Bruno Bettinelli |
PART00278
full score |
22/9/1977 | |
Studio da concerto, per oboe solo
Bruno Bettinelli |
PART00279
full score |
23/9/1977 | |
Studio per orchestra
Bruno Bettinelli |
PART00280
full score |
29/11/1973 | |
Corale ostinato , per orchestra (dalla Sinfonia da camera)
Bruno Bettinelli |
PART00281
full score |
1/1939 | |
Pozzo e il pendolo, Il , Da: "I racconti del terrore" di E. A. Poe
Bruno Bettinelli |
PART00282
full score |
1958 |