Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Saluto al duce , per coro all’unisono e rid. per pf.
Antonio Veretti |
PART04387
arrangement/reduction |
||
Belfiore e Bellaspina, Fiaba mimica per bambini.
Mario Vitali |
PART04410
arrangement/reduction |
||
Sette parole di Cristo, Le, Suite sacra per bar. e archi.
Alberico Vitalini |
PART04411
arrangement/reduction |
||
Nazareth
Franco Vittadini |
PART04417
arrangement/reduction |
||
Vecchia Milano, riduzione per pianoforte
Franco Vittadini |
PART04420
arrangement/reduction |
||
Fiordisole , (col tit. Spigadoro)
Franco Vittadini |
PART04425
arrangement/reduction |
||
Sagredo, La
Franco Vittadini |
PART04438
arrangement/reduction |
||
Alerte puits 21, ballet
Pierre Wissmer |
PART04470
arrangement/reduction |
||
Campiello, Il
Ermanno Wolf-Ferrari |
PART04473
arrangement/reduction |
||
Concerto , per arpa e orchestra
Mario Zafred |
PART04480
arrangement/reduction |
1955 |