Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Edgar
Giacomo Puccini |
PART00060
full score |
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Vis à vis, pour 3 cl.et trio à cordes
Thierry Blondeau |
PART06621
full score |
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Armonia drammatica, L' , per 7 solisti vocali,coro misto,orch.,sax tenore
Vinko Globokar |
PART06652
full score |
||
Maria Giovanna
Giulio Litta Visconti Arese |
PART02239
full score |
||
Ginevra di Scozia
Giovanni Simone Mayr , Vincenzo Lavigna |
PART02693
full score |
||
Amleto
Saverio Mercadante |
PART02706
full score |
||
Briganti, I
Saverio Mercadante |
PART02707
full score |
||
Ismalia
Saverio Mercadante |
PART02712
full score |
||
Posto abbandonato, Il
Saverio Mercadante |
PART02713
full score |
||
Vestale, La
Saverio Mercadante |
PART02731
full score |