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Our privacy policyAlmost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
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“O vuoti battelli” , da Due canti dell’Oriente
Ruggero Venè |
PART04354
full score |
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Attesa vana, L'
Ruggero Venè |
PART04355
full score |
30/10/1932 | |
Stornello lunigiano
Ruggero Venè |
PART04356
full score |
2/3/1933 | |
Canto elegiaco , per coro maschile
Vittore Veneziani |
PART04357
full score |
||
Coro dei cori, Il
Vittore Veneziani |
PART04358
full score |
30/6/1931 | |
Lamento, Da: 3 cori a voci d’uomini
Vittore Veneziani |
PART04359
full score |
||
Al silenzio, Da: 3 Cori a voci d’uomini
Vittore Veneziani |
PART04360
full score |
||
Marfisa, Poema corale a voci d’uomini in 2 parti
Vittore Veneziani |
PART04361
full score |
18/2/1927 | |
Marfisa, Poema corale a voci d’uomini in 2 parti
Vittore Veneziani |
PART04362
full score |
25/6/1926 | |
Adagio e valtzer cantabile, per s. (e orch.)
Luigi Venzano |
PART04363
full score |