Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Stradivario, Fantasia di strumenti che ballano
Gian Francesco Malipiero |
PART02162
arrangement/reduction |
2/9/1947 | |
Con Luigi Dallapiccola, per 6 esecutori a percussione
Luigi Nono |
PART02917
full score |
3/1979 | |
Prometeo, tragedia dell'ascolto. Versione defin. 1985.
Luigi Nono |
PART02928
full score |
1985 | |
Nacht, Orchestra II
Paolo Renosto |
PART03472
|
||
Ausstrahlung
Bruno Maderna |
PART02307
parts |
||
Grande aulodia, per flauto, oboe con orchestra (versione def.)
Bruno Maderna |
PART02322
full score |
1970 | |
Interludes
Francis Poulenc |
PART02398
|
||
Improvvisazione
Giacomo Manzoni |
PART02433
full score |
2/1958 | |
Studio per il finale del Doktor Faustus
Giacomo Manzoni |
PART02466
full score |
1/1985 | |
Mariana Pineda, Romance popular en tres estampas
Louis Saguer |
PART03724
|
15/2/1966 |