Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Griselda
Federico Ricci |
PART03516
full score |
22/3/1847 | |
Duello sotto Richelieu, Un
Federico Ricci |
PART03517
full score |
||
Estella
Federico Ricci |
PART03518
full score |
||
Monsieur de Chalumeaux
Federico Ricci |
PART03519
full score |
||
Prigione d’Edimburgo, La
Federico Ricci |
PART03520
full score |
||
Corrado d’Altamura
Federico Ricci |
PART03521
full score |
||
Marito e l’amante, Il
Federico Ricci |
PART03522
full score |
1852 | |
Vallombra
Federico Ricci |
PART03523
full score |
12/1842 | |
Cacciatori, I, Duettino da cantarsi anche in coro
Federico Ricci |
PART03525
full score |
||
Walzer, kalop, contradanza e ariette per camera
Federico Ricci |
PART03526
full score |