Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Dama soldato, La
Ferdinando Orlandi |
PART02954
full score |
||
Lettere, Le, o Il sarto declamatore
Ferdinando Orlandi |
PART02955
full score |
||
Nozze chimeriche, Le
Ferdinando Orlandi |
PART02957
full score |
||
Pandolfo e Baloardo
Ferdinando Orlandi |
PART02958
full score |
||
Podestà di Chioggia, Il
Ferdinando Orlandi |
PART02959
full score |
||
Raggiri amorosi, I
Ferdinando Orlandi |
PART02960
full score |
||
Amico dell’uomo, L'
Ferdinando Orlandi |
PART02961
full score |
||
Amor stravagante, L'
Ferdinando Orlandi |
PART02962
full score |