Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Spleen, per canto e orchestra
Giacinto Sallustio |
PART03729
full score |
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Solitude, La
Giacinto Sallustio |
PART03730
full score |
||
Canto della sposa rapita, Il, Leggenda per vc. e pf.
Giacinto Sallustio |
PART03731
full score |
3/1938 | |
Divino Infante, Il , Laude di J. da Todi, per voce di s.e orch.
Giacinto Sallustio |
PART03732
full score |
||
Inno a Benito Mussolini
Giacinto Sallustio |
PART03733
full score |
||
Divino Infante, Il, Lirica per c. e pf.
Giacinto Sallustio |
PART03734
full score |
14/5/1933 | |
Fiorella
Giacinto Sallustio |
PART03735
full score |
4/1935 | |
Spleen, Lirica per c. e pf.
Giacinto Sallustio |
PART03736
full score |
||
Trasfigurazioni, Trittico sinfonico per grande orch
Giacinto Sallustio |
PART03737
full score |
27/7/1936 | |
Inno a Benito Mussolini, Per coro misto ad una voce e grande orchestra
Giacinto Sallustio |
PART03738
full score |
21/8/1935 |